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On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete  @nogooddeeds_art

On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art ...

On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete  @nogooddeeds_art

On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art ...

“HARMONY” My last solo show in Łódź 
@fabryka_sztuki_ 

The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo  @frywolitki_i_koronki_marii 

Thank you to the Urban Forms Foundation @urban_forms  for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project. 

More on my website.

“HARMONY” My last solo show in Łódź
@fabryka_sztuki_

The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo @frywolitki_i_koronki_marii

Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project.

More on my website.
...

“HARMONY” My last solo show in Łódź 
@fabryka_sztuki_ 
Thank you to the Urban Forms Foundation @urban_forms  for the invitation, to Mrs. Teresa Latuszewska and to Aleksandra Dudek @ale.dudek  for organizing the project. 

More on my website.

“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and to Aleksandra Dudek @ale.dudek for organizing the project.

More on my website.
...

While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street. 
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away. 
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street. 
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles @centralnemuzeumwlokiennictwa in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband's industrial empire. 
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek  for her care. Thank you for the photos to @walendiphoto.  #beautifulbizarre

While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street.
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles @centralnemuzeumwlokiennictwa in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband`s industrial empire.
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek for her care. Thank you for the photos to @walendiphoto. #beautifulbizarre
...

I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani  Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana.  #beautifulbizarre

I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana. #beautifulbizarre ...

„The beginning” @muralfesttirana

„The beginning” @muralfesttirana ...

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade @expo_belgrade_2027 , Serbia. 
 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for Galerija 12 Future Media Studio for the smooth production process.

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade @expo_belgrade_2027 , Serbia.
I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for Galerija 12 Future Media Studio for the smooth production process.
...

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman @fitzcarrlado @chenipe239 @dzumanski.ph .
Thanks for Galerija 12 Future Media Studio @galerija12 for the smooth production process.

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman @fitzcarrlado @chenipe239 @dzumanski.ph .
Thanks for Galerija 12 Future Media Studio @galerija12 for the smooth production process.
...

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia. 
@expo_belgrade_2027  I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph 
Thanks for Galerija 12 Future Media Studio for the smooth production process.

I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia.
@expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
...

RATIKE ART FESTIVAL  in Italy 🇮🇹 @_ratike_

RATIKE ART FESTIVAL in Italy 🇮🇹 @_ratike_ ...

Instagram post 18057568825613692
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.

I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.

Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.

I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
...

Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.

I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.

Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.

I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
...

My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.

The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries

The title “Portal” connects today’s Bradford with its rich history.

I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.

My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.

The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries

The title “Portal” connects today’s Bradford with its rich history.

I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.
...

@bradford_2025

@bradford_2025 ...

The mural in Leeuwarden was created as part of the Museum Murals project, an initiative of Mauritshuis, in collaboration with @friesmuseum and with the support of @writersblockmurals. The mural was inspired by embroidery on a 19th-century costume from the museum’s collection. Thank you to @peterernstcoolen from Street Art Today for the invitation, Irene Kromhout from the museum for consultation, Serge Hollander and Siegriet de Vries from Writers Block for their care and help in producing the mural, and all the wonderful people I met in Leeuwarden. Special thanks to NHL Stenden University @nhlstenden for providing the wall and hosting at the Notiz hotel.

The mural in Leeuwarden was created as part of the Museum Murals project, an initiative of Mauritshuis, in collaboration with @friesmuseum and with the support of @writersblockmurals. The mural was inspired by embroidery on a 19th-century costume from the museum’s collection. Thank you to @peterernstcoolen from Street Art Today for the invitation, Irene Kromhout from the museum for consultation, Serge Hollander and Siegriet de Vries from Writers Block for their care and help in producing the mural, and all the wonderful people I met in Leeuwarden. Special thanks to NHL Stenden University @nhlstenden for providing the wall and hosting at the Notiz hotel. ...

Photo made by @roos_haar_fotos

Photo made by @roos_haar_fotos ...

“The Beginning” @friesmuseum @writersblockmurals @museummurals @peterernstcoolen

“The Beginning” @friesmuseum @writersblockmurals @museummurals @peterernstcoolen ...

International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor

International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor
...

Ceramic street art

Ceramic street art ...

Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum 
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejboras

Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejboras
...

„The beginning”
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum 
The inspiration for this mural is a lace pattern produced in Boras in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejbora

„The beginning”
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Boras in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejbora
...

#streetart #art #urbanart #contemporaryart  #nes #nespoon  #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove

#streetart #art #urbanart #contemporaryart #nes #nespoon #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove ...

SOTTO SOPRA Arte Urbana: Dalla strada al museo, andata e ritorno 

Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 , @banksy , @bluwalls , @osgemeos , @Jeff Areosol, @b0rdalo_ii , @obeygiant  and others. 

I used laces to the installation made by my favorite lacemeker  Alina Krupa @alina_oczko  and some small laces from Italy.

Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24orecultura specially to @giaduxueuse

SOTTO SOPRA Arte Urbana: Dalla strada al museo, andata e ritorno

Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 , @banksy , @bluwalls , @osgemeos , @Jeff Areosol, @b0rdalo_ii , @obeygiant and others.

I used laces to the installation made by my favorite lacemeker Alina Krupa @alina_oczko and some small laces from Italy.

Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24orecultura specially to @giaduxueuse
...

Borås Art Biennale LAYERS LOOPS LINES, curated by @daniel.r.terres for @boras_konstmuseum  in @textilefashioncenter Textile Fashion Center @hejboras 
All the laces were donated by the people of Borås, only one came from Poland made by @alina_oczko

Borås Art Biennale LAYERS LOOPS LINES, curated by @daniel.r.terres for @boras_konstmuseum in @textilefashioncenter Textile Fashion Center @hejboras
All the laces were donated by the people of Borås, only one came from Poland made by @alina_oczko
...

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