These are my latest Instagram posts
On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art
Nov 24
On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art
On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art
Nov 20
On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets. Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production! @shineonstpete @nogooddeeds_art
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo @frywolitki_i_koronki_marii
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
Nov 13
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo @frywolitki_i_koronki_marii
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo @frywolitki_i_koronki_marii
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
Nov 13
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
The installation was created from lace that I received from the residents of Łódź and from lace makers from all over Poland. @teresa_radek @mucha_kombo @frywolitki_i_koronki_marii
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and to Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
Nov 13
“HARMONY” My last solo show in Łódź
@fabryka_sztuki_
Thank you to the Urban Forms Foundation @urban_forms for the invitation, to Mrs. Teresa Latuszewska and to Aleksandra Dudek @ale.dudek for organizing the project.
More on my website.
While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street.
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles @centralnemuzeumwlokiennictwa in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband`s industrial empire.
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek for her care. Thank you for the photos to @walendiphoto. #beautifulbizarre
Oct 26
While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street.
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles @centralnemuzeumwlokiennictwa in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband`s industrial empire.
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek for her care. Thank you for the photos to @walendiphoto. #beautifulbizarre
While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street.
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband`s industrial empire.
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek for her care.
Oct 25
While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.
The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.
The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street.
Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband`s industrial empire.
Thank you to the @urban_forms Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek @ale.dudek for her care.
“The beginning” for @urban_forms in Łódź / Poland
I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana. #beautifulbizarre
Sep 26
I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana. #beautifulbizarre
Today I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana
Sep 21
Today I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana
„The beginning” @muralfesttirana
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade @expo_belgrade_2027 , Serbia.
I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for Galerija 12 Future Media Studio for the smooth production process.
Sep 19
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade @expo_belgrade_2027 , Serbia.
I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for Galerija 12 Future Media Studio for the smooth production process.
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for @galerija12 Galerija 12 Future Media Studio for the smooth production process.
Sep 15
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for @galerija12 Galerija 12 Future Media Studio for the smooth production process.
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman @fitzcarrlado @chenipe239 @dzumanski.ph .
Thanks for Galerija 12 Future Media Studio @galerija12 for the smooth production process.
Sep 14
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman @fitzcarrlado @chenipe239 @dzumanski.ph .
Thanks for Galerija 12 Future Media Studio @galerija12 for the smooth production process.
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
Sep 13
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia.
@expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
Sep 12
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia.
@expo_belgrade_2027 I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objectsq, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for @galerija12 Future Media Studio for the smooth production process.
Sep 12
I had the honor of participating in the first artistic project announcing the EXPO2027 fair in Belgrade, Serbia @expo_belgrade_2027 I created a series of site-specific ceramic objectsq, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for @galerija12 Future Media Studio for the smooth production process.
RATIKE ART FESTIVAL in Italy 🇮🇹 @_ratike_
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Aug 27
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Aug 27
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Aug 27
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Favara/ 2023 / 50x70 cm
Gilded ceramic object (real gold) in porcelain, on a rusty metal plate, author’s frame. FOR SALE - @leonarda_art_gallery
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
Aug 20
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Favara/ 2023 / 50x70 cm
Gilded ceramic object (real gold) in porcelain, on a rusty metal plate, author’s frame. FOR SALE - @leonarda_art_gallery
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Harmony / 2024/ 190x170 cm, FOR SALE- @leonarda_art_gallery
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
Aug 19
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Harmony / 2024/ 190x170 cm, FOR SALE- @leonarda_art_gallery
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Zanzibar/ 2024/ 30x40 cm
Gilded ceramic object, on a palm wood base, author’s frame. FOR SALE - @leonarda_art_gallery
As a base for the ceramics, I used a palm wood board, which for many years served as a tool in a workshop producing wooden commemorative plaques. I bought it after much persuasion and visiting the workshop several times. It symbolizes thousands of hours of work of a talented craftsman from the town of Paje.
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
Aug 18
“Urban Art Area 4” :: Group exhibition :: Warsaw, Poland :: 2024 :: curator Leonarda Szwed-Strużyńska @leonarda_art_gallery
Zanzibar/ 2024/ 30x40 cm
Gilded ceramic object, on a palm wood base, author’s frame. FOR SALE - @leonarda_art_gallery
As a base for the ceramics, I used a palm wood board, which for many years served as a tool in a workshop producing wooden commemorative plaques. I bought it after much persuasion and visiting the workshop several times. It symbolizes thousands of hours of work of a talented craftsman from the town of Paje.
The exhibition presents 80 Polish street art, urban art and graffiti artists in a unique space @torsluzewiec
I would like to thank you very much for the invitation and care @leonarda_art_gallery Special thanks to Mateusz Czerski.
My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.
The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries
The title “Portal” connects today’s Bradford with its rich history.
I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.
Jul 30
My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.
The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries
The title “Portal” connects today’s Bradford with its rich history.
I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.
My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.
The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries
The title “Portal” connects today’s Bradford with its rich history.
I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.
Jul 30
My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.
The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries
The title “Portal” connects today’s Bradford with its rich history.
I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.
@bradford_2025
The mural in Leeuwarden was created as part of the Museum Murals project, an initiative of Mauritshuis, in collaboration with @friesmuseum and with the support of @writersblockmurals. The mural was inspired by embroidery on a 19th-century costume from the museum’s collection. Thank you to @peterernstcoolen from Street Art Today for the invitation, Irene Kromhout from the museum for consultation, Serge Hollander and Siegriet de Vries from Writers Block for their care and help in producing the mural, and all the wonderful people I met in Leeuwarden. Special thanks to NHL Stenden University @nhlstenden for providing the wall and hosting at the Notiz hotel.
Jul 24
The mural in Leeuwarden was created as part of the Museum Murals project, an initiative of Mauritshuis, in collaboration with @friesmuseum and with the support of @writersblockmurals. The mural was inspired by embroidery on a 19th-century costume from the museum’s collection. Thank you to @peterernstcoolen from Street Art Today for the invitation, Irene Kromhout from the museum for consultation, Serge Hollander and Siegriet de Vries from Writers Block for their care and help in producing the mural, and all the wonderful people I met in Leeuwarden. Special thanks to NHL Stenden University @nhlstenden for providing the wall and hosting at the Notiz hotel.
Photo made by @roos_haar_fotos
“The Beginning” @friesmuseum @writersblockmurals @museummurals @peterernstcoolen
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor
Jul 14
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk
@krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor
Jul 13
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk
@krajkarske_slavnosti @muzeum_a_galerie_orlickych_hor
„The beginning”
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @muzeum_a_galerie_orlickych_hor @krajkarske_slavnosti
Jul 12
„The beginning”
International Lace Festival Vamberk :: Vamberk / Czech Republic :: 2024
The mural was inspired by a lace pattern designed in 1920 by the pioneer of modern Czech lace, Marie Sedláčková Serbousková. At the International Exhibition of Decorative Arts in Paris in 1925, her lace collection won a gold medal and an hon orary diploma. I found her work in the unique collection of the Lace Museum in Vamberk (Muzeum krajky Vamberk). Many thanks to the mayor of Vamberk, Jan Rejzl, for the invitation. Thank you to all the wonderful people I met during my work in this city! Muzeum krajky Vamberk Město Vamberk @muzeum_a_galerie_orlickych_hor @krajkarske_slavnosti
Clay :: 2024 :: Jurata / Poland
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
Jul 10
Clay :: 2024 :: Jurata / Poland
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
Clay :: 2024 :: Mirabella / Sicily
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
Jul 10
Clay :: 2024 :: Mirabella / Sicily
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
Ceramic street art
Porcelain :: 2024 :: Borås
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
#ceramics #ceramic #ceramicart #contemporaryart #contemporayceramics #clay #clayart #porcelanosa #porcelain #nes #nespoon #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove
Jul 9
Porcelain :: 2024 :: Borås
#streetart #art #urbanart
It was ceramic objects with lace motiffs that were the first works I placed on the street in 2009. Over the last 15 years, I left several hundred of such pieces on the street.
Why laces? Because in laces there is an aesthetic code, which is deeply embedded in every culture. In every lace we find symmetry, some kind of order and harmony, isn’t that what we all seek for instinctively?
Why street art? Because it gives freedom
#ceramics #ceramic #ceramicart #contemporaryart #contemporayceramics #clay #clayart #porcelanosa #porcelain #nes #nespoon #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center. @hejboras @borascity
Jul 6
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center. @hejboras @borascity
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejboras
Jul 6
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Borås in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejboras
„The beginning”
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Boras in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejbora
Jul 3
„The beginning”
Borås LAYERS LOOPS LINES Art Biennial, curator: @daniel.r.terres for @boras_konstmuseum
The inspiration for this mural is a lace pattern produced in Boras in 1892, which remains in the museum collection of @textilefashioncenter Textile Fashion Center @borascity @hejbora
#streetart #art #urbanart #contemporaryart #nes #nespoon #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove
Jul 1
#streetart #art #urbanart #contemporaryart #nes #nespoon #lace #laceart #doily #doilyart #merletto #merletti #koronka #koronki #dantel #renda #chrochet #cipka #spitze #chrochetlove
SOTTO SOPRA Arte Urbana.
Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 @banksy @bluwalls @osgemeos @JeffAreosol @b0rdalo_ii @obeygiant and others. At the exhibition I used a new stencil from the "Illegals" series, which I am stamping on the streets this year.
Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24oreculturasocial
Special thanks to @giaduxueuse
Jun 25
SOTTO SOPRA Arte Urbana.
Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 @banksy @bluwalls @osgemeos @JeffAreosol @b0rdalo_ii @obeygiant and others. At the exhibition I used a new stencil from the "Illegals" series, which I am stamping on the streets this year.
Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24oreculturasocial
Special thanks to @giaduxueuse
SOTTO SOPRA Arte Urbana: Dalla strada al museo, andata e ritorno
Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 , @banksy , @bluwalls , @osgemeos , @Jeff Areosol, @b0rdalo_ii , @obeygiant and others.
I used laces to the installation made by my favorite lacemeker Alina Krupa @alina_oczko and some small laces from Italy.
Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24orecultura specially to @giaduxueuse
Jun 20
SOTTO SOPRA Arte Urbana: Dalla strada al museo, andata e ritorno
Group exhibition curated by @patriziacattaneomoresi and Michelina Simona Eremita in the @santamariadellascala , showing works by @taki183 , @banksy , @bluwalls , @osgemeos , @Jeff Areosol, @b0rdalo_ii , @obeygiant and others.
I used laces to the installation made by my favorite lacemeker Alina Krupa @alina_oczko and some small laces from Italy.
Santa Maria Della Scala in Siena is a museum in the building of the former municipal hospital opposite the cathedral, whose history dates back to the 11th century.
Thank you for the opportunity to work in such a unique place. Greetings to the entire team of @artrust_sa , @24orecultura specially to @giaduxueuse
Borås Art Biennale LAYERS LOOPS LINES, curated by @daniel.r.terres for @boras_konstmuseum in @textilefashioncenter Textile Fashion Center @hejboras
All the laces were donated by the people of Borås, only one came from Poland made by @alina_oczko
Jun 17
Borås Art Biennale LAYERS LOOPS LINES, curated by @daniel.r.terres for @boras_konstmuseum in @textilefashioncenter Textile Fashion Center @hejboras
All the laces were donated by the people of Borås, only one came from Poland made by @alina_oczko