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Today I finished my new mural in Tirana. Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years. In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti @helidonhaliti and @ormira.lulani Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to @muralfesttirana
Belgrade, Serbia. I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to Strahinja Babić and your great team Andreja Krstić and Milovan Dzuman.
Thanks for @galerija12 Galerija 12 Future Media Studio for the smooth production process.
Belgrade, Serbia. I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for Galerija 12 Future Media Studio for the smooth production process.
Belgrade, Serbia. I created a series of site-specific ceramic objects, inspired by local lace making and engaged in a dialogue with the architectural fabric of this fascinating and dynamic city. Thank you very much for the invitation and warm care to @fitzcarrlado and your great team @chenipe239 @dzumanski.ph
Thanks for @galerija12 Future Media Studio for the smooth production process.
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.
Every piece of graffiti I create features a lace pattern, often inspired by antique lace designs or illustrations from old books sourced from various countries.
I meticulously cut out these stencils by hand and then paint them repeatedly on the streets. In the graffiti community, this method of widespread dissemination is known as “Bombing.” Each year, I develop several new patterns and continue using them in public spaces until the stencils deteriorate.