My new mural, created for the Urban Sunrise Festival in Sicily (Alcamo), produced by the association Sperone167

For this work, I sought inspiration among the residents of the very buildings I was painting on. I was warmly welcomed into their homes, where they generously shared with me their collections of lace gathered over generations. From these treasures, I chose a bobbin lace pattern with delicate floral motifs.

Heartfelt thanks to Giulia and Danielo for their invitation and care, and to the entire festival team — Patrick, Igor , Ino, and Francesco. I am deeply grateful for the wonderful time I spent with you.
AGOSTO 2025 – GENNAIO 2026

With all my heart, I’d like to thank the amazing team of the DUK Festival in Čačak, Serbia, for the invitation, the wonderful time, and the high vibes. Strahina,, Vuk , Maja, Munia, Ivanka, and all the incredible people I met there — I’ll miss you! I hope to see you all again soon!

Many thanks to the Polish Institute in Belgrade and Mr. Jacek Multanowski for supporting my participation in the festival.

My latest mural, created for the Artown NOW festival in Ploiești, Romania.
It took me five days to complete. The design was inspired by crochet lace, a traditional pattern from this region.
Big thanks to Livia and Oana for the invitation and for such a wonderful time. And to the whole festival team — Alex, Dima, Ana, Poppy, Laura, Tauciuc and all the volunteers — thank you for your care, energy, and great vibes!

This mural was created in Nowogród, thanks to the invitation from the Adam Chętnik Foundation @fundacjaadamachetnika . The design was inspired by the intricate lace pattern from an apron, part of the traditional folk costume of the Kurpie region in Poland. The apron itself was handmade by the talented folk artist Mrs. Czesława Lewandowska, who crafts several of these beautiful lace aprons each year. I’m deeply grateful to Katarzyna Aniela Chętnik @katrinaanielachetnik – the visionary behind the entire festival that beautifully blends tradition with modernity – for inviting me to be part of this inspiring event.

My new mural for the “He(ART)4all” festival in Laon, France, is finished.
The wall was unusual because I painted on the windows of an old cable car station (Poma2000).
For the mural design, I drew inspiration from a very old piece of lace dating back to the 18th century. Though frayed at the edges with the passage of time, it still carries a remarkable beauty. The lace was entirely handmade using the traditional bobbin technique, making it not only a work of craftsmanship but also a fragment of cultural history.
I would like to thank the wonderful Valerie for inviting me to this project. Thank you very much for the care and help of Nathalie Marie, Vanessa and Aline. Thanks to the mayor of the city Eric Delhaye for providing such an unusual place to paint!

My wall for @hkwalls is ready!
Thank you for the invitation to Maria Wong and Jason Dembski @jdembski
Thank you to the amazing crew for the support and great time!

My special thanks for supporting my visit to the Consulate General of Poland in Hong Kong, the Consul, Mr. Michal Kołodziejski and Ms. Agnieszka Mori @a.mori__art responsible for Culture Affairs. @consulate_of_poland_hk

On October 10th, the day I was supposed to land in Florida to join the Shine Festival in St. Petersburg, the area was hit by the strongest hurricane in its history. The festival was postponed, and when I arrived a month later, I decided to capture the hurricane in my mural. I spent a wonderful week here, and Florida truly showed its best side. The only signs of the devastating storm were broken branches scattered on the streets.

Thank you, Jenee Priebe, for the invitation and to the entire Shine Festival team for the great care and seamless production!

While the history of the textile industry in Łódź is quite well known and documented, the tradition of machine lace production in this city is much less recognized. I was inspired by it when painting my mural at 217 Wólczańska Street.

The painting covers 130 square meters, and I worked on it for six days, striving to capture the beauty and precision of the machine lace pattern that served as inspiration. I found this lace in an antique shop a few streets away.

The textile industry had a tremendous impact on the development and identity of Łódź. Among the many modern factories of the time that produced high-quality fabrics on a mass scale, there was also a lace and curtain factory founded in 1888 by the well-known Łódź industrialist Gustaw Geyer. This factory operated at 278 Piotrkowska Street

Although the factory building no longer exists, its legacy can be found in the portrait of Gustaw’s wife, Anna Geyer, displayed at the Central Museum of Textiles in Łódź. In the painting, Anna Geyer is portrayed with lace in her hand, a symbolic tribute to this specialized part of her husband’s industrial empire.

Thank you to the Urban Forms Foundation for the invitation, to Mrs. Teresa Latuszewska for organizing the project, and to Aleksandra Dudek for her care.

Albania is my 44th country where I have had the opportunity to work as an artist in the last 15 years.

In Tirana, a mural festival has been organized for 5 years, to which I was invited by an outstanding artist Helidon Haliti and Ormira Lulani, president of VIZart Cultural Organisation. Thank you very much for the invitation and warm care to Mural Fest Tirana.

My mural in Bradford was created as part of the BD:Walls project. It is part of Bradford’s preparations for the title of UK City of Culture 2025. The inspiration for the work was a piece of lace I found in the archives of the local museum while familiarizing myself with the impressive history of the city’s textile industry. The lace was made at the turn of the 19th and 20th centuries. The selected fragment of the pattern, painted on the wall, reminds me of a portal to another world.

The mural is located right next to the cathedral, in a monumental district called Little Germany, which reminds us of the industrial and commercial power of this city at the turn of the 19th and 20th centuries

The title “Portal” connects today’s Bradford with its rich history.

I would like to thank Bradford 2025 for inviting me to this project. Thank you, Luke Nunn and Abbe Robinson, for looking after me and for a wonderful week.