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If only the intention of a passer-by is pure, then the installation will help satisfy the dream. Maybe not right away, and not for certain, but I feel strongly the probability is very high. While working at the gate, I was often warned by passers-by that all my hard work would soon be destroyed by local vandals. After five years, the installation still looked like new.

By night, the installation takes on a new dimension. Light is activated by movement. The gate brightens mildly when somebody passes through and dims after a while.

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Jewelry for a personal order.
Collaboration with the jeweler Tomasz Wichrowski.
Porcelain + silver.

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19 Artystów dla 19 Dzielńicy / group exhibition / 2015

Art Gallery / Helsinki / 2015

At one of the main junctions in Warsaw’s city centre, close to the Central Railway Station, there is a spot that attracts flocks of pigeons. Every day locals put grain there and during the summer there are water bowls. Grain is strewn over the ground and the bowls are always old and dirty. It crossed my mind that pigeons deserved better tableware.

Over the next two years, I formed more than 500 pieces of a porcelain service. Nearly half of this was lost during stages of the kiln firing process.

I divided the pieces into two sets. One set I placed at the city location where the pigeons would flock to and the other set I incorporated into the video installation that was a part of this project. Within the hour my tableware had disappeared. It was most likely taken by the man who had watched me work, and to whom I had a brief conversation with. He was homeless and spent most of his days in the subways of the station.

I did not mourn the loss of my work, in fact its disappearance made me happy. Afterall pigeons didn’t need cups and plates, but a homeless man might.

The process of creating porcelain tablewere

Art environment in Warsaw city center

Video installation

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